(January 2014)
So after the almost not quite where is this
going what is she trying to say with this I don’t quite get the point faffery
in The Best of All Possible Worlds,
it’s something of a relief to read a book with some plain, simple,
honest-to-goodness eugenics at its core. ‘Cos if you’re going to treat people
as breeding stock you may as well do it with Nazis, eh?
This all gets revealed about two-thirds of
the way though, but just look at that cover and tell me that’s not a pretty
clear hint right there (also, the blurb, the publicity, and just everything else
used to flog the book). I also don’t feel all that bad about giving it away
like this because I’m claiming this as SF and the cloning aspect is the only
SFnal part of the book; otherwise it’s a pretty taught little thriller. The genetic engineering stuff is, to be honest, a Macguffin and while I can definitely see that
knowing the ‘puzzle’ aspect of the story robs the big reveal of a certain shock
factor, this is really about the two leads – Mengele and the ageing Nazi hunter
Yakov Libermann (loosely based on Simon Wiesenthal) – and knowing why the plot
is in action doesn’t detract from the tension or drama of the final
confrontation. In fact, knowing that in actuality Mengele got off scot free and
died at liberty in South America only adds to the need to find out how Levin is
going to wrap it all up credibly.
I know how things panned out in real life
because I looked it up on Google (obviously). It’s not happy reading. This is
the second book in the past few months that I’ve read with Mengele as a
significant character and I do have to wonder at the ethics of fictionalizing
real figures who’ve been responsible for genuine atrocities. Hitler, somehow,
is fine. He’s such an outlier that he’s in a category of one, but using the
lesser (‘lesser’, Jesus wept) villains as narrative hooks makes me feel incredibly
uneasy. Real people died in horrific ways and while the passage of time salves
all wounds, this stuff is still in living memory territory and was even more so
in 1976.
I’m not sure what I’m saying here. It’s good that there is still that power to appal, and if fictional accounts mean that remains then it’s all to the good. But when you spend most of a novel thinking about a Wikipedia page it prompted you to read it’s hard to know how to take it.
So that second badge is for, obviously enough, The Vintage SF Month hosted over at the Little Red Reviewer. She was kind enough to let me witter on for a bit about the passage of time and change and suchlike in a manner which I doubt you lot over here would tolerate. Nevertheless, if you do fancy a look here it is - The Future Was Now
Interesting book, though I can certainly see its power to disturb. Your description certainly makes it sound like the kind of thing I purposefully don't read in fiction, where I am largely looking to be entertained. It is a credit to the author that you knew the true story of the characters and that the novel maintained its tension.
ReplyDeleteIra Levin wrote Stepford Wives and Rosemary's Baby as well as about 3 other books. He's got a remarkable high hit-rate, at least as far as getting stuff into the pop-cultural consciousness goes.
DeleteIf you can ignore the moral distaste about the Nazis (which perhaps is easier than I've made out here, I imagine if I'd been in less contemplative mood I might not have got so hung up on it) then it works pretty well. But still, that's not an inconsiderable if. You pays your money and you takes your choice.
Saw the movie years ago, but would definitely like to read the book...
ReplyDeleteWas it any good? It certainly seems to have a pretty strong cast. Even that guy from Police Academy, apparently.
DeleteI love all that Nazi-hunter stuff, so I enjoyed it...
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