(May 2015)
I want to write more about this book. This
book deserves to have more written about it. Unfortunately though I’ve had a ton
of deadlines recently, so while I only read this a couple of weeks ago my mind’s
been so cramped since then I’m not sure I’ve got much in the way of intelligent
– or at the very least interesting – comment left to pass. No change there
then, eh? (Etc, etc, and so forth.)
He wasn’t great at teaching. His heart wasn’t in it, and boys of all
grades and dispositions shitted on him effusively.
or,
…this was before the whitekids started their invasion, when you
could walk the entire length of Upper Manhattan and see not a single yoga mat.
The narrative voice(s) is (/are) phenomenal,
and the code-switching is a truly a thing of sublime bathetic beauty (“see not”),
even if I’m not entirely convinced the obviously intentional dissonance of
reading about some of the more hideously oppressive practices of the Trujillo
regime in the voice of a swaggering New Jersey meathead quite comes off. The
outright horrors come across very well (for want of a much, much better
phrase), but the section relating the slow, inevitable undermining of a doctor’s
entire family doesn’t quite feel best served by the narrative flippancy. Equally,
while the ending is suitably Shakespearian, it is also undeniably abrupt, and I’m
tempted to put this down to the difficulties of balancing being faithful to the
characters against being faithful to the story.
I’m not entirely sure what that means, but
there has to be a grain of truth in there somewhere, right? Either way, these
are quibbles and this is a great book. Worth the hype.
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